Weekly Review title. Frame enlargement, Stills Collection, NZFA

Weekly Review 169: NZ Soldiers and Polish Children (1944). Frame enlargement, Stills Collection, NZFA

Filming Weekly Review 346: Rhythm & Movement (1948). L-R: Ivo Tisch (camera), Michael Forlong (director), Audrey Cooper (talent). Michael Forlong Collection, NZFA

25 Years - The New Zealand Film Archive.

 

Tracking Shots

Close Ups on NZ Film History

Nine Years of Weekly Review

“Never take the camera off the tripod; shoot every scene in long shot, medium shot and close; when panning do so from left to right.”

Such were the exacting rules of the National Film Unit in the 1940s. Stanhope Andrews was the first producer at "The Unit" when it was formed in 1941.

At first the Review's goal was to keep New Zealanders up to date with the war effort, but later it combined news with stories of ordinary New Zealanders. Audiences delighted in seeing people and places they knew on the big screen in the Weekly Review.

Production was stopped in 1950 following allegations of political bias.


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Adapted from the exhibition Tracking Time (1995). Research by Diane Pivac, text by Mary Barr and Jim Barr for NZFA
 
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Listed below is a small sample of the Film Archive's extensive collection of resource material relating to New Zealand's film history and cultural heritage.

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Related Audio
Edited Tracks
Interviews. The National Film Unit
Interview. Bob (Robert) Allen; the National Film Unit
Interview. Cyril Morton, National Film Unit
 
Related Books
Made at Miramar: an Index to National Film Unit Productions, 1941-1978, Clive Sowry
A Servant of Many Masters: a History of the National Film Unit of New Zealand 1941 to 1976, Margot Fry
 


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