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Utu (1983)
Director: Geoff Murphy; Utu Productions
New Zealand Film Commission
NZFA Stills Collection
Te Wheke (Anzac Wallace, shown) is a scout for the colonial army.
He discovers a burning village whose inhabitants have been massacred
by the military. It is a military blunderthe village was 'friendly'
and the dead are Te Wheke's own people. Utu follows Te
Wheke in his bloody quest to avenge the deaths.
What Becomes of the Broken Hearted? (1999)
Director: Ian Mune; South Pacific Pictures
Image courtesy of the New Zealand Film Commission
Image shows Sonny (Clint Eruera) Tania (Nancy Brunning) and Mookie
(Tammy Davis) in What Becomes of the Broken Hearted?. This
film, the sequel to Once Were Warriors, was adapted for
the screen by author Allan Duff from his book of the same name.
It follows Sonnys relationship with his father Jake and girlfriend
Tania, and their search for redemption from a life of violence,
crime and gangs
Māori Hui at Tikitiki (1926)
Cameraman unknown
New Zealand Government Publicity
NZFA Stills Collection
He mihi tino nui ki ngā hapū, ngā iwi ā Ngāti Porou
This image shows women during haka pōwhiri at Saint Marys
Church in Tikitiki. The film captures events at the opening ceremony
of the church on 19 February, 1926. Gathered in front of the wharenui
Rongomai Aniwaniwa and accompanied by the music of the Tahiwi whanau,
Sir Apirana Ngata and many elders, women and children perform haka,
waiata and poi for distinguished guests which include the Governor
General, Sir Charles Fergusson. Silent.
Bastion Point Day 507 (1980)
Directors: Merata Mita, Leon Narbey, Gerd
Pohlmann; Awatea Films
Image with permission from the Hawke whanau
The Flagstaff, shown in this image, represents the occupation of
Orakei. (Bastion Point) in the struggle for Maori land rights. Filmed
by the only crew permitted in the occupied area, Bastion Point
Day 507 concentrates on the 507th day of the occupation,
when protesters were forcibly removed by the police and military
forces. Merata Mita writes This film is the total opposite
of how a television documentary is made. It has a partisan viewpoint,
is short on commentary, and emphasises the overkill aspect of the
combined police/military operation. It is a style of documentary
that I have never deviated from because it best expresses a Maori
approach to film making.
Once Were Warriors (1994)
Director: Lee Tamahori; Communicado
New Zealand Film Commission
NZFA Stills Collection
This critically acclaimed film follows Beth (Rena Owen, shown)
and her familys struggle with domestic violence, alcoholism
and poverty. It could be argued that Tamahori overdoes the
level of violence, over-stating his point and risking the alienation
of his target audience. But this is an in- your- face slice of realism,
and the violence is certainly not exaggerated. Rena Owen plays Beth
with distinction, creating a believably passionate woman whose life
hasnt turned out the way she planned. Variety
magazine. Once Were Warriors is the highest grossing New
Zealand film to date and has won 15 international awards.
Dont Let It Get You (1966)
Director: John OShea; Pacific Films
Pacific Films Collection, NZFA
Image shows Howard Morrison and Garry
Wallace in a light-hearted comedy
with music. Set in Sydney and Rotorua,
the story centres around The Rotorua
Festival, a young drummer (Gary
Wallace) and his girl Judy Beech (Carmen
Duncan). Howard Morrison plays himself
and as such comes across on screen as
naturally as if he were sitting right
opposite you. The film also features:
Kiri Te Kanawa, Normie Rowe, Rim D Paul,
Eddie Lowe, the Quin Tikis, Kerri Summers
and Ernie Leonard.
Moko Toa (1999)
Te Haeata Productions
Image courtesy of Te Haeata Productions Ltd
Image shows Tohunga (Jim Perry) in Moko Toa, New Zealand's
first Māori language special effects and animation drama series.
Dynamic characters, wondrous creatures and talking carvings abound
in this series about sixteen year old Hori (Rawiri Tai Tin) and
his journey to the mystical homeland of Hawaiki. Here he is caught
up in the constant battle between the forces of light and darkness,
a battle that could end in the destruction of the world.
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